The Book That Colored Charles Darwin's World The New YorkerMichelle NijhuisJanuary 27, 2018Ecology and Conservation, Art and Artists, History
A Six-Hour Theatrical Epic About the Hole in the Ozone Layer The New YorkerMichelle NijhuisJanuary 25, 2018Art and Artists, Energy and Climate Change, Reviews and Interviews
Juli Berwald on the Art of Growing a Backbone The Last Word on NothingMichelle NijhuisJanuary 22, 2018Ecology and Conservation, Reviews and Interviews
Sticking up for Your Colleagues, in the Lab and in the Field The Last Word on NothingMichelle NijhuisDecember 12, 2017On Science
After Bears Ears and Grand Staircase-Escalante, Where Will Trump's War on the Public Lands End? The New YorkerMichelle NijhuisDecember 6, 2017Ecology and Conservation
Why Everyone Should Learn About Western Civilization The AtlanticMichelle NijhuisNovember 8, 2017History, Literature, Essays
The Beginning of the Endling The Last Word on NothingMichelle NijhuisOctober 19, 2017Ecology and Conservation, History
A Tree Persists in Brooklyn The Last Word on NothingMichelle NijhuisOctober 5, 2017Literature, Essays, Ecology and Conservation
Better Science Writing Through Improv The Last Word on NothingMichelle NijhuisSeptember 12, 2017On Writing, Reviews and Interviews
The Eagle Creek Fire and the New Reality of Life in the Smoke-Filled American West The New YorkerMichelle NijhuisSeptember 7, 2017Energy and Climate Change
This Secret Police Archive Holds Clues to Terrible Crimes National GeographicMichelle NijhuisAugust 17, 2017History
Science Metaphors (cont.): Arctic Resignation The Last Word on NothingMichelle NijhuisAugust 1, 2017Ecology and Conservation, Essays
What's Missing From "An Inconvenient Sequel" The New YorkerMichelle NijhuisJuly 29, 2017Reviews and Interviews, Energy and Climate Change
Science Metaphors (cont.): When Han Solo Got Waxed The Last Word on NothingMichelle NijhuisJuly 13, 2017Energy and Climate Change
